No guys, I need to stop and talk about something in this movie and how fucking revolutionary it was; something that I haven’t seen in a movie before or since.
This is a movie about a kid who leaves her birth family.
Not a kid who find that they have a secret lineage or something that allows them to find their ‘true family’ - this is a movie about a kid whose true birth family is made up of bad people. So she gets out. And that is played as the right thing to do. She isn’t punished for it or made to feel bad about ‘abandoning her family’. There isn’t an underlying ‘but they’re your family and you have to love them’ or ‘they’re your family and they love you even if they don’t show it well or do hurtful things’ message of the kind that I see OVER AND OVER AND OVER AND OVER in media. Matilda gets out and lives happily ever after because of it.
We need a million more movies like this to counter the metric shit ton of movies that directly counter this message.
setting the record straight
Oh look, the media casually blaming underaged girls for their unwilling involvement with adult men
you go girl
I don’t watch the show but I don’t care, this is AWESOME
I’m pretty sure they had this video deleted from youtube, because it used to be there, and then one day I was looking for it to show to someone, and it was nowhere to be found. It will however live on in gifs forever.
The blond chick is just leaning back grinning and the other girl is getting excited and then there’s just the dude in the middle going
"I fucked up."
"You wake them, or show your face, yes. I will shoot you."
#i will never let go of the headcanon that beth took alison through a really rigorous self defense course#like here this is how you shoot a gun you can practice on mine but ill get you one soon#take this pepper spray#always keep it in your purse#the taser works well too if the pepper spray doesnt keep them down#if someone comes at you from behind you elbow them#your elbow has a lot of power to it just a straight shot to the nose#use your legs too if theyve got you you can still kick with your legs#im not gonna let you get hurt but i wont always be there to protect you#so you need to learn this stuff for your own safety#forever crying over this goodbye im gonna find a nice steep cliff and plummet off the edge of it (via manninq)
So since Parrish is a supernatural, and after I saw that trailer, I read up about mythical creatures immune to fire and a lot of stuff came up but one of the more popular and one that i think might work is a Phoenix
They can live to be thousands of years old and still appear incredibly young
They were wise, intelligent beasts
And if they died they would be consumed by flames
Only to be reborn from the ashes
They were hella fine creatures too
Meaningful Echo: It occurs when characters, in their usual way, say things to one another. Normally, these things aren’t all that notable or special—they’re part of normal dialogue. However, later on in the story, one of these “ordinary” lines is repeated. But unlike the original line, it isn’t in a normal, throwaway context. It’s at a moment of emotional height, when the viewer or reader is deep into the work, making a callback to an earlier scene. Suddenly, the line isn’t simple or meaningless anymore. It’s heartwarming, tear-jerking, or awesome. If it had meaning before—however minor—it’s now been expanded to a much greater context. It’s gone from being something ordinary to something extraordinary.
this is the best gif EVER
Licia Ronzulli, member of the European Parliament, has been taking her daughter Vittoria to the Parliament sessions for two years now.
Every time this is on my dash, it’s an automatic reblog.
BITCH, TELL ME AGAIN WOMEN CAN’T BE MOTHERS AND WORK AT THE SAME DAMN TIME, I WILL CUT YO ASS
remember that time Stiles punched Jackson in the face.
No but really, why don’t we talk about this? How he socks him GOOD, not just a light punch, and Scott has to pull him back to KEEP HIM FROM DOING MORE. THIS RIGHT HERE FOLKS, this is our first view of that rage he hides behind the humor. THIS IS WHY I WRITE HIS WOLF AS SO AGGRESSIVE, because take away the sarcasm coping mechanism and you have a truly fucked up kid. A kid who holds it together for his friends and dad. A kid who had to grow up fast. A kid who saw way too much of the worst this world has to offer even before he knew werewolves were a thing.
Stiles Stilinski’s the funnyman but it’s a mask. A well worn mask, but still a mask, and this is why the Nogitsune is so dangerous in him.
Stiles being an asshole over actual problems that are a huge struggle for people. I like Stiles, but lately I’ve been annoyed with how he’s been written. Poking fun at the kid who’s just been told he has a mental disorder isn’t funny, i don’t see how in any way that would be funny.
Or when Isaac spoke about abuse, which scars you forever by the way. Memories stay with you forever
after ethan says the twins were abused by their old pack:
it doesn’t make any sense to me that stiles would make comments like this.i always thought of him as a caring character. & he’s suffered mental illness recently why would he mock liam?
He’s always been like that, though. Like—okay, maybe you don’t like that aspect of his character and yes, there’s a lot of inconsistent writing, but this isn’t one of those things.
The thing is, the thing that I feel like a lot of people like to kind of ignore when it comes to Stiles, is he’s a little bit of a sociopath and maybe also a little bit of a psychopath. I don’t have a degree in psychology so I can’t really break down the difference between the two, especially since they have a lot of crossover, but I find it incredibly likely that Stiles has a combination of physical dysfunction in his brain and emotional-slash-mental trauma, most likely from his mother’s death and being in the room with her when it happened, that has completely skewed his ability to operate on a healthy, normal social level.
I truly and legitimately believe that Stiles has a fundamental difficulty, if not actual inability, to see other human beings as worthy of his empathy from the moment he meets them. I think he’s a misanthrope at heart, and mostly sees human beings as annoyances. He has to learn to care about each person individually. Not that he can’t or doesn’t care about some people, because he very clearly does, but he also has a pre-established tendency to cling very tightly to the people he does care about, very likely to an unhealthy level. Stiles doesn’t really do casual friends (most people do). He has very close friends or not at all. This is in part because he’s that guy. I hate to say it because he’s the fandom’s darling but Stiles is one hundred percent the guy who would give you creepy vibes if he went to your high school. He’s a publicly suspected criminal (felon? I haven’t looked up whether it’s a felony or not but I presume that kidnapping is a felony) with a restraint order against him, which we obviously saw Jackson didn’t mind mentioning at the drop of a hat. He looks at high glossy photos of graphic murders in the middle of Econ class.
Let me repeat that:
He looks at high glossy photos of graphic murders in the middle of class.
It isn’t that he doesn’t understand that these things violate social mores. He’s too smart for that. It’s that he doesn’t care. He has to learn to care with each new situation and each new individual. He often fakes caring because he knows Scott cares. Go back through the series and look at how many times Stiles does the right thing because Scott directly asked him to. Scott is Stiles’ conscience. I am fairly convinced in most situations, if Stiles has an internal conscience at all he simply doesn’t give a shit about it and stopped listening a long time ago.
He reacts to stress by running his mouth. When he’s in a high-stress situation, the first thing that goes is his give-a-damn about whether or not he’s hurting peoples’ feelings. He says what he thinks needs to be said, or what’s on his mind, and it occurs to him after he’s said it that maybe it was over the line. He even does this to Scott in the first season. The very first season, to his very best friend, one of the few people in the show we have been given reason to believe Stiles does legitimately care about.
Stiles makes these comments because he does not care that he’s hurting people or poking at old scars. He knows they’re effective because he shares those scars. It’s completely hypocritical of him, too, because I guarantee you if the tables were turned and someone was speaking in that way to him he’d take it badly. (Whether I think he’d shut down and collapse into himself or lash out violently depends on a lot of variables).
In short: he’s Sherlock Holmes, he’s not John Watson. He cares about very few people, deeply, and does things because they want him to, and he cares about solving puzzles for the sake of solving puzzles. He’s not an inherently caring character. Stiles has to work to care, and requires people to justify to him their worthiness of his caring, and yes, that’s a terrible thing for him to do.
AU in which the Doctor is a very sick little boy lying in a hospital bed in a coma and his universe is just a dream. Each of his companions represent the kids in the beds next to him and when they die or leave the ward, they die or leave in his head. Regenerations represent times he nearly woke up or nearly died and the TARDIS represents his life support machine.
what THE FUCK is wrong with you
Imagine this tho, based on the theory that the name keys for the list is based of of the people that the Nogitsune killed.
They’re all huddled around Lydia’s computer, trying to find out the last person’s name after figuring the pattern out.
Their out of ideas and out…
If you fight like a married couple, talk like best friends, flirt like lovers, and protect each other like siblings, then you were meant to be. [ inspired by x ]
imagine what stiles must look like to the other kids at beacon hills high. like he thinks that everyone thinks he’s just a loser, but they’re actually just really intimated by him?
"that’s stiles stilinski. one time he…